January 23, 2018 Chris Coletti No Comments News , Uncategorised , Videos As beautiful as the White Cliffs of Dover, Toronto’s Scarborough Bluffs became the scene for Canadian Brass’ performance of Bach’s epic Brandenburg Concerto No. 3 Instrument Viola, Violin Genre orchestral works Serie Brandenburg concertos Year 1719-1720 City Köthen Occasion Dedicated in 1721 to Margrave Christian Ludwig of Brandenburg Special notes Bach used the first movement in 1729 as a sinfonia in the cantata Ich liebe den Höchsten von ganzem Gemüte, BWV 174. Labels: analysis Bach Brandenburg Concerto Brandenburg Concerto No. (The same is true for Brandenburg Concerto No. About. 1, 3, and 6 may have been written much earlier than the others, perhaps dating from Bach’s Weimar period (1708-1717), while 2, 4, and 5 most likely came from Cöthen. The only part in this movement which is not derived from this is the constantly rocking bass line, which maintains the flow of the piece, clearly establishes the harmonic progression of the music, and once again creates a perpetual-motion feel. Satz in allegro-Sanatenhauptsatzform-Thema: Tutti und Concertino hört man den ganzen Satz hindurch mit Veränderungen ( Wetteifern). Brandenburg Concerto No. • No. In the first movement the differentiations between … Scholars suspect that Nos. 2 in F major, BWV 1047 – Level VI analysis (11 pages, 561 KB) by Ross Hamilton (2016). Sheet Music Brandenburg Concerto No. Although Arturo Toscanini recorded only a single slice of Bach in the studio, we have a 1938 NBC Symphony concert of the Brandenburg # 2 that's crude, brusque and with no pretense of style. The word grosso simply means “large,” for there are more soloists than was customary at the time, and the music tends to be more expansive. 2: 3rd Movement composed by Bach. Introduction The Brandenburg Concertos are classical compositions of J.S. Andante 3. 3, BWV 1048. Brandenburg Concerto 2 – New Video! Concertos". What a thrill to hear those punchy, syncopated brass lines accompanying some really polished and vibrant singing. This week on Learning to Listen, we focus on Brandenburg Concertos 4, 5 and 6 by Johann Sebastian Bach. Bach was an unofficial student of the composer Antonio Vivaldi (1678-1741), whose works he copied by hand (the best way to get copies of music in those days) and sometimes restored. ", "Nestled in the Pennsylvania countryside, on and around the bucolic campus of Lehigh University, the Bethlehem Bach Festival, under the artistic direction of conductor Greg Funfgeld, is in its 108th season and going strong. (He did not.) It is interesting to note that in the ripieno, Bach writes only one violin part, rather than two, as is generally his norm. Some composers, like Archangelo Corelli (1653-1713), always used the same instruments in the concertino (for Corelli, it was always two violins and cello, plus continuo). Read about Brandenburg Concerto No. Brandenburgs Brandenburg Concerto No. Analysis of the Brandenburg Concerto. It also blends seamlessly with the excellent modern-instrument Festival orchestra which Greg Funfgeld conducts with an obvious knowledge of, and sensitivity to, modern performance practice.”, “…the Choir and Festival Orchestra, under their director, Greg Funfgeld, perform these three cantatas beautifully and convincingly. Music Style and Composition Unit 1 Assessment Task 2 (outcome 2) DO NOT COPY OR PLAGIARISE. As a full first movement from a Barqoue Concerto Grosso, it fits into the mandatory area of study Western Music 1600-1900. 2 provides an excellent example of Bach’s use of a ritornello. The opening movement of the second concerto is astonishingly rich in the inventive ways Bach treats his material and brings the four principal soloists into action with one another and… Some might think of Berlin’s Brandenburg Gate, symbol of German disintegration and reunification, when listening to Johann Sebastian Bach’s matchless collection of concertos. J. Greg Funfgeld…has revitalized this Pennsylvania institution, and Dorian is doing well to document its vibrancy in a recording series… genuine honesty and intelligence informs this performance…Funfgeld has forged a fine body of singers and players…tightly disciplined ensemble …rousing spirit and sacred joy aplenty. In this section, three This movement is ideal for study as part of the Stage 6 Music 2 HSC Program. Bach: Brandenburg Concertos 2, 4 and 5 In the second of two programmes, Sara Mohr-Pietsch joins Richard Egarr and the Academy of Ancient Music to … Episode (measures 9-22) A 2nd theme is played by each soloist in order of violin, oboe, flute, trumpet. The Bach Choir gratefully acknowledges and thanks our sponsors and media partners for supporting our organization and the arts. A Sibelius score is an exceptionally powerful tool to have for analysing chords, themes, motives, and much more, at the click of a button. In this case, everything comes out of the first six beats of the violin line: Hard to believe? All of the Brandenburg Concertos are in major (happy) keys. Discover little-known secrets and interesting discorse on its history, creation, and performance. Learn vocabulary, terms, and more with flashcards, games, and other study tools. In the present case, Bach’s ripieno includes solo flute [originally recorder], trumpet, violin, oboe, and continuo. Brandenburg Concerto No. In fact, the ripieno is barely noticeable, and is completely silent until measure 47! For an allegorical reading of the Brandenburg Concertos by the noted early music conductor, Philip Pickett, click here. Music Analysis German Baroque BRANDENBURG CONCERTO NO. Start studying IB Music Exam- The Brandenburg Concerto No. The movement is a minuet, a medium tempo dance in triple meter. There are three points I’d like to make about these two themes. 4 in G major. Each Brandenburg Concerto has a different group of instruments performing, but the Sixth Concerto has the most unusual one: there are no violins at all, but two violas, two viola da gamba, cello, violone and harpsichord. "From anguish to elation, and just about everything in between, pretty much describes the vast emotional landscape covered in Friday evening’s concert at Packer Memorial Church presented by the Bach Choir of Bethlehem. There is a single primary theme here, which is introduced by the soloists like the exposition of a fugue, in the order trumpet, oboe, violin, flute: Whatever solemnity or sombre mood may have been left at the end of the andante is surely blown away here! Simply fill out the form and you’ll get regular updates about The Bach Choir of Bethlehem delivered straight to your inbox! Brandenburg Concerto No.2 in F major, BWV 1047 Brandenburg Concerto No.3 in G major, BWV 1048 Brandenburg Concerto No.4 in G major, BWV 1049 Brandenburg Concerto No.5 in D major, BWV 1050 Brandenburg Concerto No.5 in D major, BWV 1050a Brandenburg Concerto No.6 in B-flat major, BWV 1051 Harpsichord Concertos. They were intended as a job application, but the job did not appear. Learn vocabulary, terms, and more with flashcards, games, and other study tools. (It may actually have been the first composed, however.) 2 in F Major (1st Movement).mid Musical Notes Distribution. 1: Brandenburg Concerto No. This recording will not disappoint.”, “…intoxicating but precise choral sound that reminds you why choruses grew this large in the first place. Subscribe to our newsletter to get performance announcements, Choir news, and updates about recordings or Bach Choir touring. Andante by Trevor Pinnock and see the artwork, lyrics and similar artists. Brandenburger Strasse in Potsdam KUI via Wikimedia Commons. The more than 100 vocalists displayed clean tone, excellent pitch and blend, and kept good tempo even in the most stressful numbers…outstanding, energetic and crisp. Say to students, “This piece is called the Brandenburg Concerto No. 1, BWV 1046.2 (formerly BWV 1046), is the only one in the collection with four movements. Treating the polyphony as if it were a straggler from the classical era, all solos stand out from the fabric with raised volume, although the trumpet generally overwhelms the texture (and sounds if it adds a mute … The word grosso simply means “large,” for there are more soloists than was customary at the time, and the music tends to be more expansive. Concentus Musicus Wien. Concerto No. Brandenburg Concerto 6 by Bach (who played the viola): no violins, 2 solo violas. PROGRAM NOTES. (The trumpet also has the last say to close out Brandenburg No. Bach. The work of the soloists is excellent, too…Excitement, dedication, power—all things that we hear more and more seldom in Bach cantatas—lend distinction to this beautiful and well-produced recording.”, “Sheer jubilance…exceptional elegance and grace…radiant performance…Having heard the Bethlehem Bach Choir pour its heart into the master’s vocal music, one will never listen to it in quite the same way again.”, “The Bethlehem Bach Festival is one of the most venerable musical institutions in the USA, with an unmatched tradition of introducing Bach’s music to our shores. 1 sounds the most generic to me at its beginnings, but there are tiny details that pop out of the texture. 6 in B flat major, BWV 1051 is the final concerto in a set of works dedicated to Christian Ludwig, Margrave of Brandenburg. APPS & DEVICES FEATURES ENTDECKEN LOGIN JETZT TESTEN. Veröffentlicht: Dec 1995 Label: ARTE NOVA Classics Facebook The second movement, an andante, is scored for three soloists plus continuo. Whereas in the previous movement, we could sometimes not distinguish between the ripieno and the concertino, in the second movement this issue is moot. Bach (1685-1750) Arranged by Merle J. Isaac. Get Your Custom Essay on J.S. • No. Skill Level: 7 out of 9 Type: Arrangement: Composed by: Johann Sebastian Bach (1685 to 1750). I. The thrilling and virtuosic trumpet part gives us an idea of the musical talent Bach had available to him in Köthen. 3, and it was written by a composer named J. S. Bach.” Have students repeat the title of the piece -- Brandenburg Concerto – and explain what each word means: 1. by Phillip Huscher. Description: 3rd mvt of Brandenburg Concerto No 2 for trumpet, flute, oboe, violin plus string ensemble. In Brandenburg Concerto No. The most unusual, unique group of instruments in all the Brandenburg Concertos. Ritornello (measures 1-8) Ripieno (large ensemble) introduces the main theme; trumpet plays above. Brandenburg Concerto No.4 in G First Movement (Allegro) (For Unit 6: Further Musical Understanding) Before turning to the academic study of this movement, let us forget for a moment that it is the first work in an Anthology for examination students. The large one is called the ripieno or tutti; this includes the orchestra. PRINTABLE #2 Brandenburg Concerto No. Episode (measures 9-22) A 2nd theme is played by each soloist in order of violin, oboe, flute, trumpet. In fact, the only commonality among the six is the use of a three-movement, fast-slow-fast design; this indicates that the Brandenburg Concerti were based on Italian concerto format. Allegro assai Ross Pople. The soloists dominate – completely. The “Domine Deus” section sported some lovely soprano voices in addition to many demanding, multi-part choruses –— some with up to eight parts. 2 in F major, BWV 1047, 3rd Movement, Allegro assai - Bach - Hmv-d1710-42-609.flac 3 min 44 s; 138.29 MB Discover releases, reviews, track listings, recommendations, and more about Jacques Loussier Trio With The Royal Philharmonic Orchestra - Bach Brandenburg Concerto No.2 - Etude Pour Trio at Discogs. Lola and Zeynap analyse the third movement from J. S. Bach's Brandenburg Concerto No.5. Brandenburg Concerto No. 2 in F major, BWV 1047. h�b```f``Z�����+� �� ,l@�����&��=`RLI�*|�"�X���}$::�$#��� >���@Z���"������(����#���9��20�n�o�����D�/��j�_l���o���t��x�0 �6��_`�300^`� Q��")���cU� � ��1A endstream endobj 37 0 obj <>>>/Metadata 19 0 R/Pages 34 0 R/Type/Catalog>> endobj 38 0 obj <>/ExtGState<>/Font<>/ProcSet[/PDF/Text/ImageC/ImageI]/Properties<>/XObject<>>>/Rotate 0/Tabs/W/Thumb 16 0 R/TrimBox[0.0 0.0 792.0 612.0]/Type/Page>> endobj 39 0 obj <>stream 5: violin, flute and harpsichord . Brandenburg Concerto No. All rights reserved. String Orchestra Analysis by Lydia Burrage-Goodwin 1) Composer Johann Sebastian Bach was born into a musical German family in 1685. 2 In F Major, Bwv 1047 : I. Allegro Moderato", "Brandenburg Concerto No. Beyond that, they have nothing in common, and, in fact, among the six, there is as much variety as you can find in any six works by Bach. Johann Sebastian Bach's Brandenburg Concertos are some … Concerto No. $����� !8$�H�� ��q��K 4BH�ƁX_��B4H]9���bm r�������Hg�?�K� T�� endstream endobj startxref 0 %%EOF 96 0 obj <>stream Download Membership Help!. 2 in F Major Listening Map. H�\�͊�@��>E-��I�?� �t��,����d����y���iz`���>N�����еSȿ�}}�S8�]3�[�>�1�����*4m=}�Ϳ����oS��s��e����i���Mӟ�c��8��%C~|�?��),�z�xN}����5�|^�th��v�?�5���ybX��K��}oCUDZ�.1+�X��-�,v���t�WcV���b�. 2 In F Major, Bwv 1047 : … 2 in F Major, BWV 1047. The recorders usually play in unison (or together), and the violin usually responds or has a conversation with them. there IS NO ripieno. (The trumpet of Bach’s day was a long tubed instrument without valves, which were added around 1815.) 5 Recordings of Brandenburg's Number 5 and 6 can be found in Columbia's Online Reserves here. This is an example of a common orchestral genre of the Baroque known as the concerto grosso. Bach later put the six concertos together and dedicated them to the margrave of Brandenburg, hoping to get a new job out of it. ", "The oft-quoted phrase 'a drumroll, please' aptly applies to the opening of Rutter’s exultant Gloria, which provided a dramatic finale to the program. The effortless virtuosity and stylistic homogeneity of the combined forces in the chapel's stone sanctity, allowed Bach's music to sing out with infectious, exhilarating enthusiasm. J.S. In the case of the Brandenburg Concerto No. 2 cello chamber music class harmonic analysis harpsichord music styles viola violin 0 Add a comment A concerto grosso utilizes two ensembles, one large and one small. 2 provides an excellent example of Bach’s use of a ritornello. About Brandenburg Concerto No. 2 In F Major, Bwv 1047 - Single by Orchestre de Chambre de Stuttgart & Karl Münchinger on Apple Music. Instead, listen to it for its sheer, unmistakable joie de vivre. This combination creates a really happy sound. The second movement of J. S. Bach’s Brandenburg Concerto No. 2) Composition. 2 (all three movements) is one of the two prescribed set works for IB HL and SL for examination in the May and November sessions in 2017 and 2018. (earlier version of the Brandenburg Concerto No.1 in F major) Brandenburg Concerto No.2 in F major, BWV 1047 Brandenburg Concerto No.3 in G major, BWV 1048 Brandenburg Concerto No.4 in G major, BWV 1049 Brandenburg Concerto No.5 in D major, BWV 1050 Brandenburg Concerto No.5 in D major, BWV 1050a Brandenburg Concerto No.6 in B-flat major, BWV 1051 Johann Sebastian Bach. 2 in F Major Listening Map Ritornello (measures 1-8) Ripieno (large ensemble) introduces the main theme; trumpet plays above. The conductor, orchestra, soloists, and chorus are eminently capable of the nuances of the rich harmonic texts …spirited and vivacious…It is not likely to get any better than this on this side of the Atlantic.”, “America’s venerable Bach Choir of Bethlehem sang Bach and Mendelssohn with good-natured and ruddy-cheeked elation. c��Bi�q҉cL6�'?�L�܈��5���ۋE�������D��1�'�KNh�^�a�t�6M�V�֍I���zbS��+oyB��iǮ^����fU����1�F[y��M�j�i8G�����1ssG��س���Ň�l1�}z]7�Ѧ�� �9Z��I�M�5�@�����*��zy�팻�4�c�z���ظ�t��G�g�G{��������. Brandenburg Concerto No. JS Bach: Brandenburg Concerto No. Died July 28, 1750, Leipzig, Germany. The Bach Choir of Bethlehem gives him all he could have wanted. In the case of the Brandenburg Concerto No. A group of soloists comprise the smaller group, entitled the concertino (meaning little concerto group). Both contain many notes, especially groups of rapid sixteenth-notes, which create a perpetual motion effect, and cause one phrase to run immediately into another. 2 from Johann Sebastian Bach's Brandenburg Concerti for free, and see the artwork, lyrics and similar artists. II The second “Brandenburg” Concerto has a most unusual solo ensemble in Bach’s presentation manuscript, consisting of trumpet, flute, oboe, and violin. J.S. Bach: Brandenburg Concerto #3 analysis Melody Written in contrapuntal style - several melodies playing simultaneously Difficult to distinguish phrases; melodies tend to be lengthy Melodic motive - first three notes of the first movement Combination of leaps and steps in first movement, primarily stepwise motion in the third movement Rhythm (2) The timbre of the piece is unique because there are no instruments and the entire piece is performed vocally. g��Z8+�S�9�x�2�e"����^ 2: mvmt. Here is the ritornello which opens Brandenburg Concerto No. Born March 21, 1685, Eisenach, Thuringia, Germany. Analysis of the Brandenburg Concerto List instruments in composition. 2 in F major by Johann Sebastian Bach song meaning, lyric interpretation, video and chart position Bach travelled from Cöthen to Berlin in 1719 to collect a large harpsichord for his boss a… Entrances of the soloists are interrupted by the full ensemble. 2 The Brandenburg Concertos by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The known piece is Brandenburg Concerto No. 2 might be the most popular of the six for its brilliant scoring. Knowledge and understanding of the set works is tested in Section A of Paper 1 (the listening paper). Concerto No. 5 in D Major, mvt. 5 in D major is scored for flute, solo violin, obbligato harpsichord, and strings. 2 in F Major, BWV 1047. h�Ԙ�n�6Ɵ���?�)�T�I|�Ɖד�M\c!�0m4�DҤv�~�CɎDZ�˦�.�G���E:?~GN�D�Txᴐ� Stream songs including "Brandenburg Concerto No. This is the fifth of six Brandenburg concertos Bach composed and dedicated to the Margrave of Brandenburg in 1721. 2 IN F MAJOR, SECOND MOVEMENT (ANDANTE) When and where was it first performed? But the works’ popular title comes from its association with Christian Ludwig, Margrave of Brandenburg and uncle of Prussia’s Friedrich Wilhelm I, the Soldier King. 2 in F major, BWV 1047 consists of sixty-five measures that take approximately four minutes to perform and is scored for solo flute (recorder), solo oboe, solo violin, cello, and harpsichord. Bach: Brandenburg Concerto #3 analysis Melody Written in contrapuntal style - several melodies playing simultaneously Difficult to distinguish phrases; melodies tend to be lengthy Melodic motive - first three notes of the first movement Combination of leaps and steps in first movement, primarily stepwise motion in the third movement Rhythm The trumpet part is very virtuosic, written to employ a style of playing known as “clarino playing,” in which the trumpeter played in the highest range of the instrument, and used quickly-changing lip pressure to change the pitch of the instrument. Home / Musik / Classical / Performer / Orchestra Titel. (It may actually have been the first composed, however.) ", "The Bach Choir of Bethlehem, founded in the 19th century, has gained international recognition through its annual Bach Festival, tours and recordings. Introduction to Bach's Brandenburg Concerto No. 2 1stMovement As discussed in previous sections, Bach’s structure for the Brandenburg concertos is not as evident as the archetype used by Vivaldi. 36 0 obj <> endobj 71 0 obj <>/Filter/FlateDecode/ID[]/Index[36 61]/Info 35 0 R/Length 137/Prev 93745/Root 37 0 R/Size 97/Type/XRef/W[1 2 1]>>stream 2 in F Major, BWV 1047: III. (See also the discussion of the ritornello in the Credo section of the Mass in B Minor.) There was a miraculous blend of tone and balance throughout. 2.) Brandenburg Concerto No. It’s true. These two recurring themes make up the bulk of the melodic material and passage work throughout this entire movement. 2 in F Major, BWV 1047: II. Includes alternative part for Violin III instead of viola. The Brandenburg Concerto No. [no tempo indication] (usually performed at Allegro) 2. Brandenburg Concerto No. Bach wrote these sometime before the year 1721 — he met a music lover, Margrave Christian Ludwig of Brandenburg, who asked Bach to send him some concertos. Bach probably got the idea of using a ritornello from studying Vivaldi, and even in this piece, you’ll see that some ritornello statements are indeed shorter than the first. Vom Album „Bach: Brandenburg Concertos Nos 1,2,3,4,5 & 6“ von Berlin Philharmonic Orchestra auf Napster. Matthew Passion’ too was ardently and lovingly performed…”, “This is Bach at its finest. Brandenburg Concerto no. ? Funfgeld brings a sure sense of phrasing, texture and pacing to the narrative, and the Bach Festival Orchestra—mostly modern instruments, with viola da gamba, violas d’amore and portative organ supplying period flavors—are cohesive and nimble. (See also the discussion of the ritornello in the Credo section of the Mass in B Minor .) 6 in B flat major, BWV 1051 is the final concerto in a set of works dedicated to Christian Ludwig, Margrave of Brandenburg. Bach during the Baroque era. If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fake...their choral sonority is so rich you can feel it in your bones. Titel. Brandenburg Concerto No. Given a piece of music, it is interesting to count how many times each of the individual twelve musical notes is played, and understand their relative weight, or importance, in the piece. 2. They were intended as a job application, but the job did not appear. The dates of composition and first performance of the SecondBrandenburg Concerto are unknown. PDP-CH - Philadelphia Orchestra, Leopold Stokowski - Brandenburg Concerto No. The elemental power is startling…the Bethlehem approach under Greg Funfgeld isn’t anachronistic, but meets the historically enlightened approach halfway…We know from Bach’s often irritable correspondence that he campaigned for more singers. Brandenburg Concerto No. SECTION B: MUSICAL FEATURES - composed for Christian Ludwig - never acknowledged - Concerto Grosso model �B��+� Between 1719 and 1721, Bach assembled six concertos for Christian Ludwig, the Margrave … What interests me is that Bach uses a second theme which he also treats as a ritornello, that is, a recurring theme, although this one appears exclusively in the instruments of the concertino (the soloists): At the first entrance of each soloist (violin, oboe, flute, then trumpet), each initially plays this theme, and later variations also appear. 1 (one of the assigned works for Discovering Music) would be a good example of the Classical “solo concerto.” “Concerto” literally means in concert—… And their centerpiece was a BBC/Bach Choir co-commission, the world premiere of Libby Larsen’s I It Am, a jubilant cantata based on the writings of Julian of Norwich…this highly coloured and disarmingly unsophisticated work came from, and went straight to, the heart.”, “The Bach Choir of Bethlehem…had their audience enthralled…The choir knows and loves this work – and it shows…transatlantic magic.”, “Nearly one hundred strong, the Bach Choir of Bethlehem tempers its power and energy with the intimacy of a much smaller group. 5). Today, we normally hear a piccolo trumpet (sometimes called a “Bach trumpet”), which is pitched higher to play these passages more easily; however, the tone of the instrument is quite brilliant, and tends to dominate the texture whenever it is played. • Standard Notation (stems down), Brandenburg Concerto No. 2 • unpitched percussion instruments as available: hand drums and rhythm sticks, ideally enough for all students to play one or the other SEQUENCE: 1. 'Brandenburg' Concerto No. Sometimes there would be drums used to sustain the tempo and melody of the piece. Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly. Melody. Der Titel Brandenburgische Konzerte wurde von Philipp Spitta in seiner 1873–1879 verfassten Bach-Biografie geprägt und hat sich heute allgemein durchgesetzt. The Choir is supported in part by the National Endowment for the Arts and the Pennsylvania Council on the Arts. (The continuo is never omitted, as it provides the harmonic foundation of the entire piece.) Because of these three ideas, Bach creates an unusually tight, uniform movement, making it difficult for the listener sometimes to distinguish between the “solo” passages and the ripieno. Detailed analysis of all movements, including form, keys, thematic treatment and stylistic features. Classical record reviews and commentary by a passionate fan. The hunting horns, for one. ��a� �2�"�+AW®] =e�|cNP��Mћ�_��W�+��J���_��W�+��Jg���Y�ldXF��edXF��edXF��edXƮ]���C?�~��1�c��Џ�C?�~�8��Ng������tv8;��Ng������tv8;��{��C�1-�4��sV��qLc:���d�]��z��*��_ R �B��+� )/����l�[�-�y��gާ\p��ܧ�>Ŋy�\0��,�ʬ����������/�/�t(� � And leading the soloists is the trumpet, silent throughout the andante but making its presence known from the first measure of the third movement. Find a unique gift with Brandenburg Concerto 6 facsimile Because of the presence of the two gambas, it’s not that easy to fit this concerto in a performance given by a usual string orchestra. 2 in F major, BWV 1047 By Nikolaus Harnoncourt. JETZT TESTEN. Splendid musicianship, rousing choruses, and the sublime voices of the soloists turned grief into joy and sorrow into triumph. ", "The audience was thrilled by this outstanding performance of a Bach Cantata by seasoned experts immersed in the composer and informed by Greg Funfgeld's wisdom and enthusiasm...The Bachs [J.S.B and C.P.E] could not have been better served, not to mention two English Renaissances, as well as our own time. In contrast to the first movement, there is no trouble in distinguishing between the concertino and ripieno in the finale. Until the second half of the last century it was common to replace the two gambas with cellos but the concer… All in all, we will hear this “solo ritornello” a total of eight times. The Brandenburg Concertos represent a popular music genre of the Baroque era—the concerto grosso—in which a group of soloists plays together with a small orchestra. A Score can be found here. As with all Bach’s mature works, they show a level of 1: two horns, three oboes, bassoon and piccolo violin. © 2021 The Bach Choir of Bethlehem. ", "The performance was one of integrity, movement, passion and weight. ��W��̧BJ� 7>Ei�J-��H��w"5��- �dB;8�?c���R��q� Before students enter the classroom, begin the Classics for Kids recording of Brandenburg Concerto No. Bach was an unofficial student of the composer Antonio Vivaldi (1678-1741), whose works he copied by hand (the best way to get copies of music in those days) and sometimes restored. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith. 4, two recorders and solo violin are the soloists. %PDF-1.7 %���� The Brandenburg Concerto No. Johann Sebastian Bach's Brandenburg Concerto No. Brandenburg – a region in Germany. Another introduction to the Brandenburgs is here. Charles Daniels stands out as a poetic and powerful Evangelist, William Sharp as a warmly inflected Jesus and Julia Doyle as a shining champion of the soprano arias.”, “The Bach Choir of Bethlehem sang a Brahms motet (“Lass Dich Nur Nichts”) with all the polish and fervor it brought to cantatas by its namesake.”, “..inspired program of hope, optimism and comfort …disarmingly powerful…overflows with jubilation”, “America’s venerable Bach Choir of Bethlehem makes its Analekta debut on a disc brimming-over with festive D major trumpets-and-drums brilliance…Julia Doyle and Daniel Taylor heading up a distinguished solo line-up.”, “Conductor Greg Funfgeld coaxed a lovely rich chamber orchestra sound from the Bach Festival Orchestra strings...The hauntingly beautiful voices of Taylor and Zsigovics—she in her festival debut—melted together like two precious metals, hers of bell-like clarity, his a more complex alchemy, with a sheen like liquid mercury.”, “As I listen to The Bach Choir of Bethlehem with Greg Funfgeld conducting…I find it hard to believe this is an all-volunteer choir but it’s true…a well polished vocal ensemble, and a true level of musicianship and understanding of the choral music of Bach.”, “…an American musical treasure… they sing with a fervor and a level of musicianship that carries one away—from bass to soprano, the supple strength and solidly integrated tone of this amateur choir reflects the most admirable qualities of the European-American tradition of choral song.”, “By all accounts the chorus remains as vital an institution as ever…The B-Minor Mass performance was rousing, committed and touching…Bach’s ‘St.
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